Laura Maack nackt sorted by

relevance

She had tried dances in which she moved to the accompaniment of her own speech instead of music, but these experiments failed; she therefore sought a way in which dance, through nudity, could become musical without depending on music "Wohin," 399.

She was an enormous inspiration, yet few of the multitudes she inspired actually regarded her as a model for their own ambitions in dance Money; Lazzarini.

Nevertheless, it seems that Laban and his disciples, in dramatic contrast to Wigman, considered the detachment of movement from the body dependent upon the nakedness of the body that performed the movement.

Her extensive scrapbook-diary of this period is now in the possession of Wilfried van Poppel of Amsterdam.

An implication of his argument was that a linking of nudity to erotic signification produced a profound anxiety toward the body, impeding the hygienic or therapeutic, rather than aesthetic, significance of movement studies.

She enjoyed posing nude for photographers and painters, especially 1921 Ernst Ludwig Kirchner, but apparently did not want her nude dances documented photographically Kirchner 241, 259, 270, 281; LFg 110, 118.

Alice Bloch Alice Bloch was much more technical yet more muscular in her approach to feminist Nacktkultur than either Hagemann or Menzler.

Most of the nudity occurred outdoors, in a woodsy, parklike milieu; the interior poses took place in relation to the wall bars or before an uncontextualized white background.

The costumes project a purely ornamental effect that does not readily signify a particular sociocultural context.

Nude dancers were a subject of Kirchner's art as early as 1911, but perhaps his most ambitious statements on this subject were the numerous sketches he submitted between 1928 and 1937 for a monumental, but never implemented, mural complex in a section of the Folkwang Museum in Essen.