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While striving for a staging of his opera Chabrier was also working on some of his mature songs — Sommation irrespectueuse, Tes yeux bleus, Chanson pour Jeanne, Lied, as well as a lyric scene for mezzo, women's chorus and orchestra and the piano version of the.

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Among his friends were and ; with the latter he planned a comic opera in the fashionable style of ,.

, The Guardian, 1 July 2003 subscription required• subscription required External links [ ] Wikimedia Commons has media related to.

2016, 20:46 Deistergeist Moderatoren Edmund, LeRan, TeufelsPaarSH 8 160 06.

Huebner comments that the influence of Chabrier on Poulenc and the other members of was particularly strong, although the later composers were more often drawn to the humorous, parodic side of Chabrier's oeuvre than to the romantic and serious.

In a study of the composer published in 1935 commented that it would be wrong to class Chabrier as merely an amateur in this period: "For, while in quest of the technique of his art, he displayed a curiosity in the painting and literature of the 'modernists' of his day that, among musicians, had few parallels.

, Grove Music Online, Oxford University Press, 1992.

Although Wagner's Tristan und Isolde had made a deep impression on him, his irreverent nature led him to arrange five themes from the opera into a comic.

2021, 11:24 Sir J c Moderatoren Edmund, TeufelsPaarSH 1 85 31.